Museum aan de Stroom   10 May 2026 Museum aan de Stroom    10 May 2026   Antwerp    S - M - L
 
 
 
 
 

Today we walked a few blocks then jumped on tram number 7 which took us to one of the newest museums in Antwerp, the Museum aan de Stroom, or MAS. The MAS resembles a stack of warehouses, each offset by a quarter turn.

MAS is not an art museum, at least judging by the current displays. It is more a cultural and historical museum with a roof-top deck, space for studying, an area for dance lessons, and a cafe that serves a tasty sandwich.

 
 
 
 
Museum aan de Stroom  
 
 
 
 
Museum aan de Stroom  
 
 
 
 
Museum aan de Stroom  
 
 
 
Visible storage  
 
The second floor of the MAS contains some of the museum's collection which is displayed to give a behind-the-scenes look at how the museum works. Each piece of the collection is tagged by a QR code.
 
 
 
 
Visible storage  
 
The second floor of the MAS contains some of the museum's collection which is displayed to give a behind-the-scenes look at how the museum works. Each piece of the collection is tagged by a QR code.
 
 
 
 
Visible storage  
 
The second floor of the MAS contains some of the museum's collection which is displayed to give a behind-the-scenes look at how the museum works. Each piece of the collection is tagged by a QR code.
 
 
 
Hamatsa Double Mask  
 

As I was walking down an aisle between the cages that hold pieces of the MAS permanent collection, I noticed this mask and thought, boy this looks familiar. I then pointed my phone at the QR code and discovered why it looked familiar—the mask is local to Vancouver Island. (We also encountered examples of island art at Paris' Musée du Quai Branly.)

Hamatsa Double Mask
Tom Hunt Sr. (1942-2017, carving); John Livingston (1951-2019, painting)
Kwakwaka wakw, Vancouver Island, British Columbia, Canada, 1999
Cedar wood, bark and acrylic paint
MAS, AE.2000.0182
Purchased from John Livingston, 1999

Secret Mask
Originally, this type of mask appeared only during secret initiation rites of the Hamatsa society among the Kwakwaka'wakw. The masks dramatically portrayed so-called 'cannibals' who were eventually tamed. Typically, the two mythical creatures—the 'man-eating raven' and the 'crooked beak of heaven'—were separate masks. Here they are combined into one. Strings allow the dancer to clatter the beaks.

 
 
 
 
Hamatsa Double Mask  
 

As I was walking down an aisle between the cages that hold pieces of the MAS permanent collection, I noticed this mask and thought, boy this looks familiar. I then pointed my phone at the QR code and discovered why it looked familiar—the mask is local to Vancouver Island. (We also encountered examples of island art at Paris' Musée du Quai Branly.)

Hamatsa Double Mask
Tom Hunt Sr. (1942-2017, carving); John Livingston (1951-2019, painting)
Kwakwaka wakw, Vancouver Island, British Columbia, Canada, 1999
Cedar wood, bark and acrylic paint
MAS, AE.2000.0182
Purchased from John Livingston, 1999

Secret Mask
Originally, this type of mask appeared only during secret initiation rites of the Hamatsa society among the Kwakwaka'wakw. The masks dramatically portrayed so-called 'cannibals' who were eventually tamed. Typically, the two mythical creatures—the 'man-eating raven' and the 'crooked beak of heaven'—were separate masks. Here they are combined into one. Strings allow the dancer to clatter the beaks.

 
 
 
 
Hamatsa Double Mask  
 

As I was walking down an aisle between the cages that hold pieces of the MAS permanent collection, I noticed this mask and thought, boy this looks familiar. I then pointed my phone at the QR code and discovered why it looked familiar—the mask is local to Vancouver Island. (We also encountered examples of island art at Paris' Musée du Quai Branly.)

Hamatsa Double Mask
Tom Hunt Sr. (1942-2017, carving); John Livingston (1951-2019, painting)
Kwakwaka wakw, Vancouver Island, British Columbia, Canada, 1999
Cedar wood, bark and acrylic paint
MAS, AE.2000.0182
Purchased from John Livingston, 1999

Secret Mask
Originally, this type of mask appeared only during secret initiation rites of the Hamatsa society among the Kwakwaka'wakw. The masks dramatically portrayed so-called 'cannibals' who were eventually tamed. Typically, the two mythical creatures—the 'man-eating raven' and the 'crooked beak of heaven'—were separate masks. Here they are combined into one. Strings allow the dancer to clatter the beaks.

 
 
 
Visible storage  
 
 
 
 
Visible storage  
 
 
 
 
Visible storage  
 
 
 
Dance lesson  
 
The MAS serves as more than a museum. One floor features a space where one can silently study, another features a space for dance lessons. Catchy dance music, too.
 
 
 
 
Dance lesson  
 
The MAS serves as more than a museum. One floor features a space where one can silently study, another features a space for dance lessons. Catchy dance music, too.
 
 
 
 
Dance lesson  
 
The MAS serves as more than a museum. One floor features a space where one can silently study, another features a space for dance lessons. Catchy dance music, too.
 
 
 
Display showing Antwerp street names based on businesses on that street   
 
 
 
 
Display showing Antwerp street names based on businesses on that street   
 
 
 
 
Display showing Antwerp street names based on businesses on that street   
 
 
 
WWII timeline  
 

The MAS devotes a whole floor to what life was like in Nazi-occupied Antwerp in WWII. The displays include the war's timeline, maps, photographs, newspapers stories, testimonials, and more. If you can get through this without shedding tears, well, you are stronger than me.

 
 
 
 
WWII timeline  
 

The MAS devotes a whole floor to what life was like in Nazi-occupied Antwerp in WWII. The displays include the war's timeline, maps, photographs, newspapers stories, testimonials, and more. If you can get through this without shedding tears, well, you are stronger than me.

 
 
 
 
WWII timeline  
 

The MAS devotes a whole floor to what life was like in Nazi-occupied Antwerp in WWII. The displays include the war's timeline, maps, photographs, newspapers stories, testimonials, and more. If you can get through this without shedding tears, well, you are stronger than me.

 
 
 
Photos from WWII in Antwerp  
 
 
 
 
Photos from WWII in Antwerp  
 
 
 
 
Photos from WWII in Antwerp  
 
 
 
Europe 1940  
 
 
 
 
Europe 1940  
 
 
 
 
Europe 1940  
 
 
 
View from inside the MAS  
 
Note that the curved railing in the photo follows the curved line of the actual glass. And while this does make photography a bit more challenging, it presents an interesting look, from both the inside and outside of the building. The curve catches the light in curious ways and looks more interesting than plain flat glass.
 
 
 
 
View from inside the MAS  
 
Note that the curved railing in the photo follows the curved line of the actual glass. And while this does make photography a bit more challenging, it presents an interesting look, from both the inside and outside of the building. The curve catches the light in curious ways and looks more interesting than plain flat glass.
 
 
 
 
View from inside the MAS  
 
Note that the curved railing in the photo follows the curved line of the actual glass. And while this does make photography a bit more challenging, it presents an interesting look, from both the inside and outside of the building. The curve catches the light in curious ways and looks more interesting than plain flat glass.
 
 
 
View from the roof top observation deck  
 
 
 
 
View from the roof top observation deck  
 
 
 
 
View from the roof top observation deck  
 
 
 
View from the rooftop of the MAS  
 
 
 
 
View from the rooftop of the MAS  
 
 
 
 
View from the rooftop of the MAS